Some years ago,  challenged a classroom of young, Southern white women to defend mainstreaming novels by black authors into standard courses rather than celebrating them during Black History Month.

My point was that without both, some students might assume the authors are white, says Fecho, Professor of English Educa簫tion. But I didnt ask for peoples thoughts. Instead, he says, he should have induced wobble, or just enough disequilibrium to prompt reflection.

Teaching itself is learned by wob簫ble, argues Fecho, who taught English for 24 years in a big North Philadel簫phia high school. In books such as and (both published by 51勛圖厙 Press), he describes striving for class簫es to unpack texts for themselves and individually and collectively make meaning.

Fecho once despaired of student essays about literature as either emp簫ty or convoluted. But influenced by educator , he came to view reading as a transaction with text co-created by each readers experiences and ideas: If I wanted my students to take greater interest in their writing, I had to take greater interest in my students.

We all belong to multiple cultures that include gender, sexual preference, class, interests in sports or the arts, and more. Culturally responsive peda簫gogy should respond to them all. 
Bob Fecho, Professor of English Educa簫tion

In the early 1990s, Philadelphia allowed its schools to divide into autonomous learning communities. Fechos group structured curricula around essential questions for example, following clashes between Brooklyns blacks and Jews, the issue of how communities deal with change. The readings mixed journalism, fiction, poetry whatever was germane.

If you create a unit on dinosaurs, only some students will be interested, Fecho explains. But if you ask, What does studying dinosaurs tell us about life today? theyll see the cohesiveness of reading, writing, listening, speaking. Theyll learn about thinking and ethics a must for dis-affected teens who could make money selling drugs and didnt expect to live long.

More recently, still interested in personal meaning-making, Fecho has taught the theories of the late , who argued that to make an utterance means to appropriate the words of others and populate them with ones own intention.

For Fecho, true dialogic teaching entails understanding the many cultures that shape students responses to others utterances and their intersection in the cultural contact zone of the classroom. In this country, we conflate culture with race but we all belong to multiple cultures that include gender, sexual preference, class, interests in sports or the arts, and more. Culturally responsive peda簫gogy should respond to them all.