Some years ago,  challenged a classroom of young, Southern white women to defend mainstreaming novels by black authors into standard courses rather than celebrating them during Black History Month.

���My point was that without both, some students might assume the authors are white,��� says Fecho, Professor of English Educa簫tion. ���But I didn���t ask for people���s thoughts.��� Instead, he says, he should have induced ���wobble,��� or just enough ���disequilibrium��� to prompt reflection.

Teaching itself is learned by wob簫ble, argues Fecho, who taught English for 24 years in a big North Philadel簫phia high school. In books such as and (both published by 51勛圖厙 Press), he describes striving for class簫es to ���unpack texts for themselves��� and ���individually and collectively make meaning.���

Fecho once despaired of student essays about literature as either emp簫ty or convoluted. But influenced by educator , he came to view reading as a ���transaction��� with ���text��� co-created by each reader���s experiences and ideas: ���If I wanted my students to take greater interest in their writing, I had to take greater interest in my students.���

���We all belong to multiple cultures that include gender, sexual preference, class, interests in sports or the arts, and more. Culturally responsive peda簫gogy should respond to them all.��� 
��� Bob Fecho, Professor of English Educa簫tion

In the early 1990s, Philadelphia allowed its schools to divide into autonomous learning communities. Fecho���s group structured curricula around ���essential questions��� ��� for example, following clashes between Brooklyn���s blacks and Jews, the issue of how communities deal with change. The readings mixed journalism, fiction, poetry ��� whatever was germane.

���If you create a unit on dinosaurs, only some students will be interested,��� Fecho explains. ���But if you ask, ���What does studying dinosaurs tell us about life today?��� they���ll see the cohesiveness of reading, writing, listening, speaking. They���ll learn about thinking and ethics��� ��� a must for dis-affected teens who ���could make money selling drugs and didn���t expect to live long.���

More recently, still interested in personal meaning-making, Fecho has taught the theories of the late , who argued that ���to make an utterance means to appropriate the words of others and populate them with one���s own intention.���

For Fecho, true ���dialogic teaching��� entails understanding the many ���cultures��� that shape students��� responses to others��� utterances and their intersection in the ���cultural contact zone��� of the classroom. ���In this country, we conflate ���culture��� with ���race��� ��� but we all belong to multiple cultures that include gender, sexual preference, class, interests in sports or the arts, and more. Culturally responsive peda簫gogy should respond to them all.���